Dorothea Tanning was a multi-faceted artist, known for her exceptional work as a painter, printmaker, poet, and writer. She is recognized as one of the most significant figures in the Surrealist movement, whose contributions have sent ripples through the world of art. Tanning’s work transcended conventional norms, reaching into the depths of the human psyche and emerging with striking imagery that continues to captivate audiences today.
Born on this day August 25, 1910 in Galesburg, Illinois, Dorothea Tanning’s artistic journey began at a tender age. Despite living in a rural area with limited exposure to art, her inherent passion led her to teach herself how to paint. As a young woman, she moved to Chicago and then to New York where she became deeply immersed in the bustling art scene. It was here that she encountered Surrealism, a genre that resonated deeply with her unique perspective of the world.
Tanning’s artwork is noted for its dreamlike quality, which often incorporates elements of fantasy and the subconscious mind. Her paintings are replete with hidden meanings and unexpected juxtapositions, lending them an air of mystery that leaves viewers intrigued. As a printmaker, Tanning experimented with various techniques, creating pieces that are rich in texture and detail.
Beyond her visual art, Dorothea Tanning was also an accomplished writer. She authored several books, including a memoir and collection of poems that give readers insight into her surreal world. Her writing, much like her artwork, was characterized by its imaginative and thought-provoking nature.
Tanning’s contribution to Surrealism is immeasurable. Her talent for distorting reality and exploring the complexities of the human mind has made an impression on the art world. Even today, the surreal world of Dorothea Tanning continues to inspire artists and challenge viewers, solidifying her status as a true visionary.
Woman Waving to Trees
Not that anyone would
notice it at first.
I have taken to marveling
at the trees in our park.
One thing I can tell you:
they are beautiful
and they know it.
They are also tired,
hundreds of years
stuck in one spot—
beautiful paralytics.
When I am under them,
they feel my gaze,
watch me wave my foolish
hand, and envy the joy
of being a moving target.
Loungers on the benches
begin to notice.
One to another,
“Well, you see all kinds…”
Most of them sit looking
down at nothing as if there
was truly nothing else to
look at until there is
that woman waving up
to the branching boughs
of these old trees. Raise your
heads, pals, look high,
you may see more than
you ever thought possible,
up where something might
be waving back, to tell her
she has seen the marvelous.
-Dorothea Tanning
Curated by Jennifer
